It's a funny thing about dictionaries. First we're taught to revere them, then we have to learn to set them aside. Nobody ever went wrong starting a middle-school composition with, "According to Webster's ..." but that's not how you start an op-ed commentary about terrorism or racism. When it comes to the words that do the cultural heavy lifting, we're not about to defer to some lexicographer hunched over a dusty keyboard.
As a Mormon missionary, Ryan McIlvain spent two years ringing strangers' doorbells, even as he experienced doubts about his own faith. McIlvain left the church in his mid-20s. His debut novel, Elders, is based on the experiences he had trying to convert people to join the Church of Jesus Christ of Latter-day Saints. "Elder" is the term used for a young Mormon on his mission.
In this photo released in March by the North's Korean Central News Agency (KCNA), leader Kim Jong Un is said to be using a pair of binoculars to look south during an inspection of army troops stationed on two islands.
It's hard to determine how seriously to take these threats. War on the Korean Peninsula could be catastrophic, so the bluster can't be dismissed. On the other hand, North Korea has a long history of hyperbole, of making threats it doesn't follow through on.
Originally published on Thu April 4, 2013 12:03 pm
Tootie Heath says the drummer's responsibility is to be happy. There's no better believer in the happiness ethic than Matt Wilson — and we're happy, too, grooving first to Heath, then Wilson, in highlights of sets from August and September 2012.
You may think you know who is homeless and where they live, but think again. Some homeless families are finding shelter in a surprising place: hotels. Host Michel Martin talks with Monica Potts, who's covered this issue for The American Prospect magazine.
There's more to Angela Davis than her signature afro. A new documentary, Free Angela Davis and All Political Prisoners, explores the events that turned the philosophy professor into a political icon in the 1960s. Jada Pinkett Smith tells host Michel Martin why she became executive producer of the film.