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Lourdes Garcia-Navarro

Lulu Garcia-Navarro is the host of Weekend Edition Sunday. She is infamous in the IT department of NPR for losing laptops to bullets, hurricanes, and bomb blasts.

Before joining the Sunday morning team, she served an NPR correspondent based in Brazil, Israel, Mexico, and Iraq. She was one of the first reporters to enter Libya after the 2011 Arab Spring uprising began and spent months painting a deep and vivid portrait of a country at war. Often at great personal risk, Garcia-Navarro captured history in the making with stunning insight, courage, and humanity.

For her work covering the Arab Spring, Garcia-Navarro was awarded a 2011 George Foster Peabody Award, a Lowell Thomas Award from the Overseas Press Club, an Edward R. Murrow Award from the Corporation for Public Broadcasting, and the Alliance for Women and the Media's Gracie Award for Outstanding Individual Achievement. She contributed to NPR News reporting on Iraq, which was recognized with a 2005 Peabody Award and a 2007 Alfred I. duPont-Columbia University Silver Baton. She has also won awards for her work on migration in Mexico and the Amazon in Brazil.

Garcia-Navarro got her start in journalism as a freelancer with the BBC World Service and Voice of America. She later became a producer for Associated Press Television News before transitioning to AP Radio. While there, Garcia-Navarro covered post-September 11 events in Afghanistan and developments in Jerusalem. She was posted for the AP to Iraq before the U.S.-led invasion, where she stayed covering the conflict.

Garcia-Navarro holds a Bachelor of Science degree in International Relations from Georgetown University and an Master of Arts degree in journalism from City University in London.

Janet Clark hopes to keep her dairy farm in the family. She inherited Vision Aire Farms from her parents, and now runs it with her younger brother.

The farm is idyllic, tucked away amid rolling green hills of corn and sunflower fields. One side of the farm holds a line of calves. They are individually fed by Clark's children and their cousins, playfully holding milk bottles for them to drink.

David Joy's new novel The Line That Held Us begins with a terrible accident.

Darl Moody is looking to poach a deer in the woods, when he accidentally kills another man — Carol Brewer, who is himself poaching for ginseng roots. Both are "working-class rural people who are just kind of doing what they have to do in order to survive," as David Joy says in an interview.

Like their counterparts across the country, Wisconsin Democrats eager to win back the House and make gains in the Senate have been watching primary election voter turnout with baited breath. This week, they found reason to be hopeful: turnout in the state's primary on Tuesday soared to its highest level since 2002, with a surge in Democratic votes.

There's a type of orchid that resembles a female wasp. And in rare occasions, it will attract a male wasp to pollinate the flower.

That's the image on the cover of Caoilinn Hughes' new book, Orchid and the Wasp. But the relationship represents something heavier in Hughes' novel.

"So I was using this as a way to explore the relationship between the exploited and the exploiter," Hughes says. "And ask the question is it really exploitation if the loser isn't aware of what they're losing?"

Cary Grant. Katharine Hepburn. Spencer Tracy.

They were movie stars immortalized by "the golden age" of Hollywood during the mid-20th century, representing fame and beauty.

Behind the glossy glamour, the stars were also connected by something else: a man named Scotty Bowers who worked at a small gas station at the corner of Hollywood Boulevard and Van Ness — the epicenter of Tinseltown's covert sexual underground.

Suspense writer Megan Abbott has been busy lately. She's been writing for HBO's The Deuce, and adapting two of her own books for television.

This week, her most recent novel, Give Me Your Hand is out — it's the story of two young, brilliant, female scientists named Kit and Diane. The two women were friends in high school, but when Diane shares a dark secret, the friendship is torn apart.

In Woman Walks Ahead, a New York City activist and artist named Catherine Weldon (played by Jessica Chastain) travels across the United States to paint the great Native American chief Sitting Bull. The role of Sitting Bull is portrayed with humor and complexity by Michael Greyeyes, who is Plains Cree and hails from Muskeg Lakes First Nation in Canada.

This converted schoolhouse still chirps with the sound of children. A volunteer teacher points at her eye and elicits the English word: "¿Cómo se dice 'ojo'?" she asks the group of 6- to 10-year-olds.

They hesitate and look at one another until one of them gets it, and they join in a collective scream: "Eye!"

It feels like a bit of normalcy for this group of Central American children who fled their home countries and are temporarily living in a family shelter in Mexico City.

Mexican actor Diego Luna first shot to fame in the United States after 2001's Y Tu Mamá También. Since then, he's starred in a handful of blockbusters — including, recently, Rogue One: A Star Wars Story — and he's about to play the leader of a drug cartel in the upcoming season of Netflix's Narcos.

Luna could have happily continued to live a successful life in Hollywood, but he missed Mexico. At a café near his kids' school in Mexico City, he explains why.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

LULU GARCIA-NAVARRO, HOST:

At a migrant shelter in Mexico City, it's time for English class. The children are sitting behind a wooden table. They're mischievously running up to the teacher or giggling with their classmates.

UNIDENTIFIED TEACHER: Es eye. Eye.

UNIDENTIFIED CHILDREN: Eye.

On March 16, 2017, Albino Quiroz Sandoval popped out of the house around 5 p.m. for a little trip to the shop. The 71-year-old lives in Tepoztlán, a small colonial town with little crime, a weekend getaway from hectic Mexico City. Quiroz had been a public school teacher for 48 years. Everyone knows him.

By 8 p.m., he wasn't home. His family grew worried. His son Juan Carlos Quiroz, who was a 90-minute drive away in Mexico City, got a frantic call from his sister.

"We didn't know what to do," Juan Carlos recalls. "My sister and I thought it could be a kidnapping."

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

DAVID GREENE, HOST:

High fashion, makeup, vogueing competitions. In the 1980s, New York City's drag balls were cultural events for the LGBTQ community, most of them black and Latino. But balls have largely been hidden from mainstream America.

Now, a new show on FX is putting them front and center. It's called Pose, and according to FX, it has largest cast of transgender actors in series regular roles.

The NPR Music Tiny Desk Contest may be over this year — NPR Music was proud to award the honor this year to Naia Izumi — but Weekend Edition isn't done highlighting the impressive talent who entered this year's contest.

What does it take to become an American? In 2015, This American Life told the story of a Somali refugee who was finally issued a visa to come and live in the United States. "This big smile was on my face. I've never had such a big smile," Abdi Nor Iftin said at the time.

For the first time since the group was established in 1792, the New York Stock Exchange will be headed by a woman.

While Stacey Cunningham realizes she's shattering a 226-year-old ceiling, she says she didn't consider her gender as a huge factor when it came to pursuing opportunities that led her to break into the top ranks of the male-dominated finance industry.

Eight years ago, we introduced two unlikely friends: an Israeli and a Palestinian -- who once believed peace could override enemy lines. Dana Levy and Mohammed Saqar met in the late 1990s, as teenagers at a Seeds of Peace summer camp in the U.S.

Both had lost family in the region's conflicts, but they became friends and kept in touch by phone.

We caught up with both of them. But not together. We should tell you, this is a missed connection we could not reconnect.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

LULU GARCIA-NAVARRO, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

LULU GARCIA-NAVARRO, HOST:

The list of accolades is long for Rita Moreno. The 86-year-old is the only Latina — and one of just 12 artists overall — to have won an Emmy, a Grammy, an Oscar and a Tony for her work. This weekend, she received a different kind of award — for her advocacy. The Ellis Island Honors Society is giving her a medal of honor for her work with immigrant communities.

Many consider the running back Jim Brown the greatest American football player ever. But he's known as much more than an athlete — he's an activist, an actor, a thinker and a man with an alleged history of violence against women.

Here's how he's described in the opening paragraph of Dave Zirin's new biography, Jim Brown: Last Man Standing.

The first time Rumaan Alam appeared on NPR, Linda Wertheimer asked him how he developed "a nearly flawless ear for the way women talk." His debut novel Rich And Pretty followed two young women, best friends who grow up and, necessarily, apart.

How do we find a real connection in a digital world?

In Mary H.K. Choi's debut novel, Emergency Contact, Penny and Sam strike up a text-based romance, and soon become take-your-phone-to-the-bathroom inseparable. But for different reasons, they have trouble making it real.

Charlize Theron is 42 and says she has more to bring to the table now than she ever did in her 20s. In Hollywood and in society overall, she says, "It's so sad that we don't value women in their later years and celebrate their stories."

Her new film, Tully, focuses on one woman's midlife journey. She plays Marlo, a mother pregnant with her third child. "She really has to say goodbye to her past her in order to make room for this next chapter of her life," Theron explains.

Last week, a van plowed into a busy Toronto sidewalk, killing 10 people in what appeared to be a deliberate act.

The suspect in the attack, Alek Minassian, was quickly linked to an online community of trolls and violent misogynists who call themselves "incels" — a term that stands for "involuntarily celibate."

Juliana Hatfield was a darling of the '90s indie music scene. She played with Blake Babies and The Lemonheads and had a hit with the edgy pop song, "My Sister." Hatfield released a string of alternative albums since those days, full of distorted guitars and strong vocals.

Last year, when neo-Nazis and members of the so called alt-right demonstrated in Charlottesville, Va., many Americans evinced shock that such a thing could happen: A demonstration of the white power movement, in 2017. But it's only the latest in a history of social activism that goes back decades — and, as Kathleen Belew argues in her new book, Bring the War Home, we ignore that history at our peril.

Zoologist Lucy Cooke says humans have got it all wrong about sloths. "People think that because the animal is slow that it's somehow useless and redundant," she says. But in fact, "they are incredibly successful creatures."

Cooke is the founder of the Sloth Appreciation Society and the author of a new book called The Truth About Animals: Stoned Sloths, Lovelorn Hippos, and Other Tales from the Wild Side of Wildlife. The book aims to set the record straight on some long-held misconceptions about the animal world.

When The Exorcist, based on the novel by William Blatty, came to theaters in 1973, it captured the public imagination. Or more accurately, the public's nightmares.

Exorcisms aren't just the stuff of horror movies — hundreds of thousands of Italian Catholics reportedly request them each year. But when William Friedkin directed the movie, he'd never actually seen an exorcism. It would be four more decades before he actually witnessed one.

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