Arts

The weekends on All Things Considered series Movies I've Seen A Million Times features filmmakers, actors, writers and directors talking about the movies that they never get tired of watching.

With plenty of election ennui going around, NPR Books dug into the archives for new ways to look at the election story. Here you'll find accounts of past campaigns gone wrong, an examination of the science and art of prediction and an idea of what happens when the pre-presidential storyline gets a dose of sci fi, fantasy and puberty, respectively.

Every morning, British illustrator Ralph Steadman wakes up in his country estate in rural England and attacks a piece of paper, hurling ink, blowing paint through a straw and scratching away layers to reveal lines and forms that surprise even him.

Dashiell Hammett's The Thin Man invented a new kind of crime fiction. It was hard-boiled, but also light-hearted; funny, with a hint of homicide. Nick and Nora Charles — and Asta, their wire-haired terrier — were rich, witty and in love, when America was in the middle of the Depression. They also drank a lot — Nick and Nora, not Asta, though he got an occasional leftover slurp.

NPR's Backseat Book Club is back! And we begin this round of reading adventures with a cherished classic: Black Beauty by Anna Sewell. Generations of children and adults have loved this book. With vivid detail and simple, yet lyrical prose, Black Beauty describes both the cruelty and kindness that an ebony-colored horse experiences through his lifetime — from the open pastures in the English countryside to the cobblestone grit of 19th-century England.

The well-explored notion that something's rotten beneath the neighborly pleasantries and manicured lawns of suburbia has proved to be a durable one, if properly tweaked, updated or, in the case of The Details, taken literally and inflated to absurd, Lynchian heights.

Joe Queenan reads so many books, it's amazing that he can also find time to write them. Queenan estimates he's read between 6,000 and 7,000 books total, at a rate of about 125 books a year — (or 100 in a "slow" year). "Some years I just went completely nuts," Queenan tells NPR's Robert Siegel. "A couple years ago I read about 250. I was trying to read a book every single day of the year but I kind of ran out of gas."

For most of us, the enjoyment of horror movies depends on the sheer unlikeliness of their storylines. Knowing that the average swamp does not contain a slimy monster or that a nest of cannibals would have a hard time surviving in a depopulated desert — at some point, even mutants have to make a Wal-Mart run — is the cocoa that helps us sleep. And that's the challenge for The Bay: This astonishingly effective environmental nightmare is based on reasoning that, if you've been following the science, seems all too possible.

It's rare these days to see an old-fashioned, elegant chamber-piece movie about life and art — let alone one with Christopher Walken as, of all things, a steadying influence.

A near-agoraphobic musician is an odd protagonist for a road movie, but then "odd" is the operative term for This Must Be the Place, Italian director Paolo Sorrentino's first English-language film. This mashup of genres and themes doesn't entirely succeed, but it is warm, funny and ably crafted.

For Whip Whitaker, the commercial airline pilot played by Denzel Washington in Flight, daily life is about achieving a practiced but tenuous equilibrium between the professional he's required to be and the wreck he really is. As the opening scene reveals, it involves keeping his poisons in harmony: Peeling himself off a hotel bed after a wild night, Whip guzzles the stale swill from a quarter-full beer bottle, does a couple of lines of cocaine as a pick-me-up and strides confidently out the door in his uniform. This is the morning routine.

After a very long engagement that began with the original Toy Story, Disney finally made an honest woman out of Pixar in 2006, when it paid the requisite billions to move the computer animation giant into the Magic Kingdom. But Disney's spirited 2010 hit Tangled made it abundantly clear that Pixar had a say in the creative marriage: The story of Rapunzel may be standard Disney princess fare, but the whip-crack pacing and fractured-fairy tale wit felt unmistakably Pixar. From now on, it would seem, Mickey Mouse and Luxo Jr.