Gretta Harley arrived in Seattle in 1990, when grunge was redefining the city. Bands like Nirvana, Pearl Jam and Soundgarden were turning Seattle into the epicenter of the music world. Harley was a punk rock guitarist searching for her tribe, and in Seattle's thriving music scene, she found it.
Originally published on Sat February 23, 2013 9:31 am
Film scores are, by and large, manipulative. They do their work at the periphery of the senses, signaling danger, heralding victory, prodding us toward fear and joy in time with the unfolding story. Crucially, they are also empathic, letting us in on what the actors' words or faces may not convey. And when things get unpleasant, the score can step in as an emotional buffer — a layer of unreality between us and the action that lets us know we're safe. Sunday night at the Oscars, Hollywood will honor a film whose music manages to get all these things right.
Zuoxiao Zuzhou is a Chinese singer whose accented, croaky voice is hardly ever in tune. But for his fans he's the voice of a generation — one of the very few voices who dare to speak out. After a collaboration, Cowboy Junkies member Michael Timmins called him "China's Leonard Cohen."
Originally published on Fri February 15, 2013 5:23 pm
You hear some music you hate. That's fair. We all do on occasion. But can you learn to love — or at least not loathe — that music? Can you intentionally transform the visceral response you have to certain pieces and styles, or does that happen at some more incalculable, subtle level?
Researchers at Australia's University of Melbourne say that the more dissonance (which they describe as "perceived roughness, harshness, unpleasantness, or difficulty in listening to the sound") that we hear in music, the less we enjoy said music. Seems obvious enough, right?
After huge critical and commercial success last year, breakthrough British sensation Emeli Sande has her sights set on America.
It's a long way from her roots. Born to a Zambian father and English mother, the singer-songwriter was raised in Scotland. She tells NPR's Michel Martin that being the only mixed-race family in a small village had a big impact on her.
Originally published on Fri February 15, 2013 3:21 pm
As televised prize-givers, the National Academy of Recording Arts and Sciences are slouches. The dozen prizes given out in a typical Grammy Awards telecast is the lowest of any major awards-show telecast, from the Oscars to the Emmys. NARAS gives out the bulk of its little gramophones in an untelevised ceremony.
But as sales-juicers? The Grammys are unparalleled.
We've been able to record sound for over 125 years, but many of the recordings that have been made in that time are in terrible shape. Many more, even recordings made in the past 10 years, are in danger because rapid technological changes have rendered their software obsolete. So Wednesday, the Library of Congress unveiled a plan to help preserve this country's audio archives.
Sunday night's Grammys are an opportunity to rain accolades on pop music and perhaps witness the musical return of Justin Timberlake. But each year, the Recording Academy also honors recordings of "lasting significance" by inducting them into the Grammy Hall of Fame. One of them this year is Kentucky fiddler Bill Stepp's performance of "Bonaparte's Retreat."
Frank Ocean is set to take a victory lap at this year's Grammys. He's up for six awards for his album Channel Orange, including best new artist, and he'll be performing as well. But just a few months ago, Frank Ocean's music wasn't the story — his sexuality was.
To review: After a listening party for Channel Orange last July, a BBC journalist pointed out that a few of the love songs referenced a "him" where you might have expected to hear "her."
Originally published on Fri February 8, 2013 12:31 pm
Pioneering American conductor, National Medal of Arts winner and poet James DePreist died early this morning in Scottsdale, Ariz. He was 76 years old. His death, his manager told Deceptive Cadence, stemmed from complications following a heart attack he suffered nearly a year ago.
Originally published on Mon February 4, 2013 10:38 am
One of the Twitter hashtags devised by rabid Beyonce fans before last night's Super Bowl halftime show was religious in nature: #praisebeysus. Praise Beysus! This bit of hyperventilating resonated in interesting ways. Strutting into the very center of America's biggest television spectacle, the 31-year-old superstar intended to secure her place in the musical pantheon next to recent Super Bowl-approved legends Madonna, The Who, Bruce Springsteen and Prince.
Once a poet and an English teacher, Jim McCormick has become a powerhouse Nashville songwriter.
Credit Scott Saltzman / Courtesy of the artist
Credit Courtesy of the artists
McCormick (right) with singer-songwriter Brantley Gilbert. Gilbert's song "You Don't Know Her Like I Do," which McCormick co-wrote, hit the top of Billboard's Hot Country Songs chart in the summer of 2012.