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  • We look at the trailer for Josh Radnor's upcoming college movie Liberal Arts.
  • A new photography project focuses on Latin American telenovelas. For some viewers, a histrionic soap opera is pop art. For others, it's an embarrassment to Latin culture.
  • Next week, in the pages of the comic Justice League, Superman and Wonder Woman will become involved. We have intercepted a series of IMs that augurs ill for comics' new (super-)power couple.
  • As the party conventions approach, elaborate theatrics on the part of presidential candidates are at the forefront. NPR critic Bob Mondello takes a look at the ways campaigns frame their candidates to make them stand out like Broadway stars.
  • The documentary Somewhere Between chronicles three years in the lives of four young American women, all adopted, all Chinese by birth. Critic Ella Taylor says the film is a warm-hearted vehicle that lets the teenagers speak for themselves.
  • Written and co-directed by star Dax Shepard, Hit and Run taps into classic comedy conventions for its tale of a former getaway driver (Shepard) spiriting his girlfriend (real-life partner Kristen Bell) off to her big career break in Los Angeles.
  • Comic Mike Birbiglia's autobiographical Sleepwalk with Me, adapted from his one-man show and novel, chronicles the exploits of a guy struggling with commitment, his career and an unusual sleepwalking affliction.
  • Comedy writer Maria Semple's latest, Where'd You Go, Bernadette, follows 15-year-old Bee as she tracks down her mother, Bernadette, who disappeared on the eve of a family trip to Antarctica. Bernadette is an epistolary novel that paints an acidly funny portrait of life in Seattle.
  • Ken Perenyi made millions painting and selling more than 1,000 forgeries over 30 years. He's imitated the likes of Charles Bird King and James Buttersworth — and confesses it all in his new book, Caveat Emptor: The Secret Life of an American Art Forger.
  • Ann Arbor residents would easily recognize their city in Harry Dolan's crime fiction, but the likeness ends with murder; while Dolan can pack several homicides into each book, the real Ann Arbor is much more peaceful.
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