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Napalm Death's ongoing campaign for musical destruction comes to the Desk. The founding fathers of grindcore speed through a sprawling catalog with manic energy.
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The Philadelphia songwriter continues to refine his pen on the follow-up to his breakthrough self-titled album from 2023.
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Max Clarke talks about recording Transmitter, the production tool he refuses to use and, as a lifelong Beatles fan, his chance meeting with Paul McCartney.
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Lindsey Jordan, of Snail Mail, tackles mortality, religion and the afterlife on her third studio album.
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By finding joy and humor in life's chaos, The Paradox's brand of Black pop-punk feels both fresh and familiar.
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Soundgarden guitarist Kim Thayil writes about the ascent of the first grunge band to sign with a major label and the death of lead singer Chris Cornell in his memoir, "A Screaming Life."
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Frontman Ben Gibbard talks about the band's latest album, I Built You a Tower.
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The Last Ship, the first musical to be staged at New York's Metropolitan Opera, inspired by Sting's childhood growing up in the shadow of a shipyard.
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Renée Fleming and Béla Fleck's joint project, which took more than 20 years to finalize, sees them collaborate with other folk musicians and singers.
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Annahstasia's voice is soothing and strong. Her music feels like taking a deep breath, exhaling and landing in a gentle place.