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Katie Couric's early exit from CBS News appears almost imminent, but her departure signals more than a personal failure to win ratings; it's the unraveling of the idea of a "big three" in network news.

Nominated for eight Academy Awards, including the the prizes for best picture and best director, Paul Thomas Anderson's film, There Will Be Blood, won Oscars for cinematography and best actor.

Comic and actor Jerry Seinfeld's latest project is the animated film Bee Movie, which he wrote and starred in. Seinfeld is best known for his work on the self-titled NBC series, which ran for nine seasons, earning the actor a Golden Globe Award and an Emmy Award.

The curators of the Whitney Biennial have helped set up a temporary radio station two doors down from the Whitney Museum's building in New York City. Neighborhood Public Radio producers and hosts see their station as a way to give everyday people access to the airwaves.

In Rocky Balboa and Venus, veteran film stars Sylvester Stallone and Peter O'Toole give spry performances as the durable boxer and an aging actor who becomes involved in the life of a young woman.

Animator Joseph Barbera, half of the legendary duo of Hanna-Barbera has died. Barbera, 95, created a host of cartoon characters, from the Flintstones to the Jetsons and Tom and Jerry.

How do you make a movie about the sense of smell? German director Tom Tykwer (Run Lola Run) takes on the immensely popular novel by Patrick Suskind, which tells the story of a young Frenchman gifted with remarkable olfactory abilities who becomes a perfumer, and then a killer, in his quest to create the perfect scent.

"The Liberation of Aunt Jemima" -- a broom-toting, gun-wielding African-American woman -- established the reputation of artist Betye Saar. That was in 1972. At age 80, she's still combining scraps and souvenirs of the past into provocative works of art.

The court of Versailles was the place to see the operas of French composers in the 17th Century. But because those operas had to be lit by candles, composers had to factor into their writing just how long the candles would last.

Author Lillian Ross talks to Steve Inskeep about her techniques and the subjects she has profiled for her work at The New Yorker, where she has been writing since 1945.