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  • Pit Baumgartner — a.k.a. De Phazz — made his name constructing popular remixes of songs by famous jazz artists like Ella Fitzgerald. The German deejay's latest album is Tales of Trust.
  • "Most people know me as Mo Farah, but it's not my name — or, it's not the reality," Olympic gold medalist Mo Farah said, in a clip from an upcoming documentary.
  • The fact that she is a British-born white woman hasn't stopped jazz pianist Marian McPartland from playing for nearly 50 years in a world that is largely male and black. Now about to turn 90, McPartland has a new CD called 'Twilight World.'
  • The 1949 musical is getting its first Broadway remount, and its creative team says the story — about culture, life in wartime and the impact of American power abroad — resonates as profoundly as ever.
  • Actor-musicians Glen Hansard and Marketa Irglova won an Oscar for Best Original Song, "Falling Slowly," in the film, Once. The movie, about two musicians who write songs together and fall in love, is out now on DVD.
  • Thielemans is the man who made the harmonica a jazz instrument. In a Brazilian-heavy set recorded at the 2005 Tanglewood Jazz Festival, he's joined by Oscar Castro-Neves, Airto, and pianist Kenny Werner. Now in his 80s, Thielemans still loves to play. Collaboration between WBGO and WGBH.
  • Bibb grew up amid the New York City folk scene in the 1950s and '60s, a scene he calls "a magical world that I was born into and never left." But Bibb has since become a blues guitarist and songwriter in his own right. His latest album, Get On Board, pays tribute to his heroes.
  • HHS told hospitals that they "must" provide abortion services if the life of the mother is at risk, saying federal law on emergency care preempts state laws that now ban abortion without exception.
  • Jay McShann, nicknamed "Hootie," helped define the Kansas City style of jazz, which mixed blues and boogie woogie. In this program from 1980, McShann talks about those early days in Kansas City and meeting a young sax player named Charlie Parker.
  • In his short but brilliant career, he pioneered a new standard of rapid-fire virtuosity on the electric bass and helped bridge the jazz and pop music of his day. Close collaborators offer a retrospective on Jaco Pastorius.
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