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Saxophonist and bandleader Paul Winter has created his own unique style of environmentally conscious music. The natural world is not only an inspiration, but it has also been a collaborator in his music. Winter talks about playing with humpback whales, as well as his legendary recording expeditions to the Grand Canyon.

Fifty-five years ago, a young jazz presenter named George Wein discovered that the people sailing yachts around Narragansett Bay loved jazz. With their support, Wein founded the Newport Jazz Festival, the first of its kind, and it's still going strong. Here's a highlight of this year's festival, from Herbie Hancock and Dave Holland.

Gershwin placed his song "Summertime" at the beginning of his opera Porgy and Bess, and for good reason. Pianist and composer Rob Kapilow demonstrates how, in just a few measures, Gershwin transports the listener into the languid world of Catfish Row.

Neurologist Carolyn Bernstein, co-author (with journalist Elaine McArdle) of The Migraine Brain, estimates that 30 million Americans suffer from migraines — and that most sufferers don't realize they have the condition.

The recent anthrax investigation has brought to light the aggressive tactics of the FBI. It brought on questions about how far investigations should go and whether hardball tactics should remain legal.

Since it opened in 1989 overlooking the Boston skyline and the Charles River, Sculler's Jazz Club has been home to top-rated and up-and-coming artists. JazzSet reprises sets from two remarkable women who are bright sparks for the future of jazz: Kate McGarry and Esperanza Spalding.

He's put out hit records for half a century, toured with the Beach Boys, even hosted his own TV show. So why is the latest album from the indefatigable country-pop singer called Meet Glen Campbell?

In careers spanning many decades, Hugh Masekela and Ladysmith Black Mambazo have carried the music of South Africa around the world, and played critical roles in the international movement to end apartheid. Fifteen years after the climax of that historic struggle, both still tour.

The Bright Eyes singer made Conor Oberst on an impulse while visiting the mystical mountain town of Tepoztlan in Mexico earlier this year. The approach is straight folk-rock, but it's less simple than it seems at first. But it also sounds like the next installment in the Bright Eyes catalog.

In the grand scheme of Tyner's discography (one of postwar jazz's most consistently invigorating), the duets collection Guitars feels like more of a curious one-off than a significant late-career addendum. In his new reinvention of "Greensleeves," the jazz-piano legend collaborates with blues guitarist Derek Trucks.