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  • Home Before Dark, the 46th album from singer-songwriter Neil Diamond, is No. 1 on the pop charts. It's the first time Diamond has claimed that spot in a career that's spanned nearly five decades. He talked to Terry Gross in 2005.
  • Read the full transcript from the July 12 House select committee investigating the Jan. 6 Capitol attack hearing.
  • Onstage at Jazz Standard in New York, recent Juilliard graduate Jonathan Batiste is up first. The pianist leads off for John Ellis & Double-Wide with music from the new CD Dance Like There's No Tomorrow, this week on JazzSet.
  • The spare, haunting melodies of composer and pianist Erik Satie have inspired musicians, from Claude Debussy to guitarists Jonathan Stone and Adrian Bond, who perform his music in NPR's studio.
  • Saxophonist James Carter says he titled his new album Present Tense because "it captures where I am now." The album features Victor Lewis on drums, D. D. Jackson on piano and Dwight Adams on trumpet. Jazz critic Kevin Whitehead offers a review.
  • Cuadrado is a member of the Brooklyn Jazz Underground, a musicians' collective determined to make the pieces of a fragmented industry fit together. In an interview and performance from WBGO, Cuadrado and his Puzzles Quartet play music from a new independent release.
  • JazzSet visits Dazzle Restaurant & Lounge, presenting jazz in downtown Denver, for six original players and composers in one high-flying band, together for twenty plus years: Convergence. With all original music including a spoof on an imaginary 12-step support group for musicians who need to learn to love themselves.
  • Langhorne Slim and his band The War Eagles mix folk and blues with reckless punk-rock energy. Now touring with a new self-titled album, the singer-songwriter performs and discusses his love for playing live.
  • Few jazz arrangers can deter schmaltz when putting strings to swing. And even fewer possess Iversen's sense for dulcet harmonies and exquisitely developed form — the patient listener is rewarded with a probing, big-R Romantic, strings-only cadenza at the end of "West."
  • The saxophonist and composer grew up in the Windy City hating the avant-garde jazz that her father played. Now based in New York, her new album embraces her Chicago roots, as well as her "daddy's crazy music."
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