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  • Trumpeter Arturo Sandoval and his Afro-Cuban band show some Miami style while pianist Cyrus Chestnut sets the direction for his show with the title "Spirituals to Swing." JazzSet mixes these two concerts from January 2008, recorded at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
  • The Houston-born pianist studied classical piano and was accepted into a select group at the Thelonious Monk Institute of Jazz Performance. To preview her concert on JazzSet, here's a performance of "Shall We Tango," recorded live.
  • Norah Jones is one of the most popular musicians in the world today, and her soulful vocals were on display when she joined Marian McPartland at the 2003 Tanglewood Jazz Festival. The sold-out crowd watch the duo perform duets and standards.
  • Metropolitan Opera violinist Patmore Lewis hopes classical music and world beats will lend a hand to spread the word about river conservation. The renowned composer has released a new CD, Rillito River Project, to draw attention to the environment through pop and innovation. Lewis talks about his solo project and how he's hoping to make an impact.
  • For Speak Low, blue-eyed-soul legend Boz Scaggs had a sound in mind long before recording his interpretation of jazz standards. But the concept was blurry until he pinpointed the instrumentation: a combination of strings, horns and vibes.
  • It's been a remarkable year for jazz, and narrowing down a Top 10 list for 2008 takes a bit of work. Once again, there's room for enthusiasm and optimism about the state of jazz and its ability to inspire musicians and listeners alike. Here's a look (and a listen) back at some of the year's highlights.
  • The Latin percussionist's classic 1972 album captures one of the greatest musicians of the 20th century at his peak. Bobby Sanabria, himself an award-winning bandleader, discusses the music and career of "El Rey del Timbal," Tito Puente.
  • Horace Silver is a piano-playing, pencil-packing papa whose songs showcase a family of jazz characters such as "Sister Sadie" and "Senor Blues." His music filled Dee Dee Bridgewater's album Love and Peace: A Tribute to Horace Silver. This concert in his honor comes from the Discoveries at Walt Disney Concert Hall series in Los Angeles.
  • "Nemesis" is less about being jazz or rock than it is about providing a sonic environment. Pianist Aaron Parks adds some contrasting touches: A mellotron and glockenspiel combine with piano and keyboards to create his own episodic drama. Coming from an album with the appropriate title Invisible Cinema, this is soundtrack music for a movie waiting to be filmed.
  • In the constant race to find the next cure for jazz (hint: it ain't broken), Aaron Parks seems perfectly content to set his own pace. The 24 year-old pianist discovered music intuitively. In a session from WBGO, Parks plays a mix of jazz and rock that's ultimately neither of those things.
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