Search results for

Certain to inspire both outrage and sorrow, Alex Gibney's harrowing documentary — about the torture and abuse of suspected terrorists in U.S. military prisons — ranks among recent cinema's more excoriating moral indictments. (Recommended)

We check in on the writers strike with Dade Hayes, assistant managing editor of Variety.

Federal agents raided several Southern California museums and art galleries, looking for smuggled and looted antiquities. We look at what spurred the investigation.

The Cannes Film Festival is known for its highbrow fare, but every once in a while a crowd-pleaser sneaks into the mix. Caramel, a new film from Lebanon, was one such delight at the last festival.

As part of a goodwill mission to the United States, the Royal Canadian Mounties have stationed officers in New York City's Bryant Park. Mounties Terry Russel and Gary Bartless take a break from their post to visit our studio.

Paris Fashion week is under way — but does it matter to people's everyday lives? Aaron Wong says yes. He is a Yale doctoral candidate and taught a seminar in fashion critical theory.

Lady Liberty loses her head in this film's opening moments, and everything from the Chrysler Building to the Brooklyn Bridge comes tumbling down thereafter. Which sounds reasonably exciting, but the Blair Godzilla Project conceit gets annoying fast.

The incredibly expensive production costs of The Sarah Connor Chronicles, a new series on Fox, reflect a trend in the industry: rising costs for producing scripted shows in the face of dwindling audiences. Even when the writers strike is resolved, the television industry will not have solved its problems.

Javier Bardem just won a Golden Globe for his superbly frightening performance in No Country for Old Men. Bardem shares his thoughts on violence and facial expressions.

Clark Johnson has worked as a director on several of TV's most memorable cop shows, including The Shield, Homicide: Life on the Street and the pilot episode of the critically acclaimed HBO series The Wire. This season, he's appearing on camera as well, as The Wire's City Editor Gus Haynes.