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Six years after their misadventures at Guantanamo Bay, an estranged Harold and Kumar reconnect — just in time for a rude seasonal farce that pokes fun at everything from its 3-D gimmick to the most wonderful time of the year.

Hollywood returns again to the story of the FBI's first boss — this time in a Clint Eastwood biopic, starring Leonardo DiCaprio, that like Hoover himself seems more than a little dry.

The rogue planet Melancholia threatens to hit Earth, while two couples (Kirsten Dunst and Alexander Skarsgard; Charlotte Gainsbourg and Kiefer Sutherland) bicker at a wedding.

Shot clandestinely in Iran's conservative capital, Hossein Keshavarz's ensemble drama tracks 20-somethings with taboo interests — from Western pop to extramarital sex, drugs and alcohol.

In a dark documentary, Werner Herzog explores the psychological fallout that comes in the wake of violent crime — not just for the victims' families, but for the perpetrators and those charged with meting out their punishment.

In this spy thriller, a retired CIA operative (Richard Gere) teams up with a rookie FBI agent (Topher Grace) to investigate the brutal killing of a U.S. senator who had business ties to Russia.

What happens when aging punk rockers become fathers? They go all gooey inside, just like regular guys. A surprisingly charming documentary sheds light on the challenges of making a family while keeping a punk-scene presence alive.

Netflix is taking another beating over subscriber losses. They're still the big kid on the block, but they need to find their way back to the sweet spot that put them in the lead in the first place.

In Drake Doremus' drama Like Crazy, a young couple is forced to separate when one of them violates the terms of her student visa. Movie critic David Edelstein says the movie is painful and compelling — and reminds him of Richard Linklater's Before Sunrise.

The lives of writers drive two films opening this week: The Rum Diary, starring Johnny Depp, dramatizes a Hunter S. Thompson novel. Roland Emmerich's Anonymous, meanwhile, examines who wrote Shakespeare's plays. Critic David Edelstein says both films show how hard it is to write about writers.