Jane Ciabattari
Jane Ciabattari is the author of the short-story collections Stealing The Fire and California Tales. Her reviews, interviews, and cultural reporting have appeared in The New York Times Book Review, The Daily Beast, the Paris Review, the Boston Globe, The Guardian, Bookforum, Chicago Tribune, Los Angeles Times, Washington Post, and BBC.com among others. She is a current vice president/online and former president of the National Book Critics Circle.
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Dana Spiotta's ambitious new novel follows two women, friends and filmmakers, through decades of conversations about art, film and life — and a dangerous final documentary project.
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Paul Goldberg's audacious new novel trades in rumor and anecdote, conjuring a time of anti-Semitism and violence in 1950s Moscow.
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Colum McCann's new story collection plays with images of surveillance — traffic cams, nanny cams — to capture a complex picture of love, loss, pain and the way our lives so swiftly pass away.
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Bonnie Jo Campbell's confessional, unforgettable new story collection gives a voice to mothers and daughters, struggling to get by, desperate to be heard, but despairing of an audience.
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Young Liliane reads Bonjour Tristesse with her father in Italy, Peyton Place with her mother in Maine — and author Lily Tuck builds the disparate pieces of her life into a compelling portrait.
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Samantha Shannon's richly detailed follow-up to The Bone Season picks up with clairvoyant heroine Paige on the run after leading a revolt against the alien oppressors of her far-future England.
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Family Furnishings collects 24 of short story master Alice Munro's best works. Reviewer Jane Ciabattari calls it a superb introduction to Munro, and a reminder that she's a writer to be cherished.
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The characters in Monica McFawn's short stories range from a gambling nanny to a butterfly-selling mathematician. Each story is full of carefully observed human detail and flashes of brilliance.
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Richard House's 1,048-page thriller is a series of interlocking novels within novels about a British contractor who flees Iraq after being framed for the loss of $53 million in development money.
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Lily King's new novel was inspired by a real-life moment in 1933, when the lives of anthropologist Margaret Mead and two of her husbands intersected on an expedition to the Sepik River in New Guinea.