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  • Talk of a cease-fire had been shattered by an attack in Israel and more airstrikes on targets in Gaza. But in Egypt, which had been trying to broker a truce, a deal was announced. Will it last?
  • In his new book, Washington: The Making of the American Capital, Fergus Bordewich reveals how Washington, D.C., became the nation's seat of power and — perhaps a lesser-known fact — how the historic enslavement of African-Americans played a role in that designation. Bordewich talks about his new book.
  • NPR's Scott Detrow talks with Regina Barber and Nell Greenfieldboyce about the Artemis moon missions, the "seismic quiet" during a solar eclipse, and the origins of a mysterious interstellar visitor.
  • World leaders have lavished praise on President Trump in order to smooth diplomatic relations, and get better deals too.
  • NPR reports on the latest on the war in Gaza, as well as on the latest ceasefire talks between Israel and Hamas.
  • The U.S. is pushing for the Gaza ceasefire to move into its next phase, but serious challenges lie ahead.
  • New research suggests that prescription stimulants for ADHD don't actually improve attention directly. They work on different pathways in the brain that support attention. .
  • A Florida jury's acquittal of George Zimmerman for shooting teenager Trayvon Martin does not mean the end of this legal odyssey. The U.S. Justice Department is empowered to go after hate crimes and civil rights violations motivated by racial animus. And the Feds can weigh in if local police or authorities fail to do their jobs from a policing standpoint.
  • Following Superstorm Sandy hundreds of thousands of people on Long Island went weeks without power. Elected officials blamed the Long Island Power Authority — calling it in need of federal take over. Thursday night, executives for the utility finally answered questions from investigators who are preparing a report on how to overhaul the utility business in New York.
  • A Broadway revival of Tennessee Williams' iconic Cat on a Hot Tin Roof may feature big names, but it aims for a quiet kind of authenticity. Director Rob Ashford asked his cast to take their characters off the pedestal of dramatic history and put them back in the scene.
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