Your Source for NPR News & Music
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
We are operating on low power due to some issues at our transmitter site. Our engineering staff is working on the issue.

How The Illharmonic's mix of hip-hop and classical builds community, one show at a time

Kaleb Cabell, Andrea Coln McNeill and Jeffrey McNeill perform as part of The Illharmonic Orchestra at NPR's Washington headquarters.
Brianna Scott
/
NPR
Kaleb Cabell, Andrea Coln McNeill and Jeffrey McNeill perform as part of The Illharmonic Orchestra at NPR's Washington headquarters.

Vocalist and composer Jeffrey McNeill says it was back in 1987, when he was still a kid, when he first started hearing the links between hip-hop and classical music.

"I was put in flute and piano lessons as a child, and my father introduced me to The Sugarhill Gang, 'Rapper's Delight,'" McNeill explained in an interview with All Things Considered. "One day, my brother brought home the Beastie Boys' 'Paul Revere,' and to me, it sounded like it went perfectly with Beethoven's 5th Symphony."

Nearly 40 years later, the marriage of those two genres — as well as McNeill's literal marriage to fellow artist Andrea Coln McNeill — are manifest in The Illharmonic Orchestra, which has booked shows in major concert venues across the country over the last two decades.

McNeill — who performs as "Thee Phantom" — and Coln McNeill — who is also known as "The Phoenix" — blend hip-hop and R&B vocals with live horns, woodwinds, strings and percussion, performed by all-Black orchestral ensembles. That representation in classical music performance is a key goal for the group's leaders.

"It was really important for us to show that these two genres are not as completely different as people think they are," Coln McNeill told NPR's Juana Summers during a visit to NPR headquarters.

"Even in 2026, some of the major symphony orchestras still are really lacking in diversity. But there's clearly a reflection that those individuals exist. We play with them all the time," she explained. "Folks who look like us, who play these instruments, who have the training, who have been to the conservatory, who have the Ph.D.s, or self-taught — we know that that talent level exists within the folks that look like us."

And for many of their audiences, the experience can be transformative, said McNeill — on top of being a lot of fun.

"It's a house party in a concert hall. It's a community experience," he said. "And it has helped the performances so much that the people actually get it, and they connect with the music and they connect with us, and they see us on stage and they see themselves in us on stage. And that's really kind of what's kept us going for this long."

Ahead of a performance at the Lincoln Theater in Washington, D.C., The Illharmonic Orchestra stopped by NPR to offer a special performance.

Listen to the full interview and their performance by clicking on the blue button above, and you can find their performance schedule here.

Audio for this performance chat was engineered by Andie Huether and Tiffany Vera Castro.

The performers with The Illharmonic Orchestra at NPR were:

Andrea Coln McNeill Vocalist

Jeffrey McNeill - Vocalist

Tauhida Smith - Violin

Leanne Holmes - Violin

Jillian Uzuegbu - Violin

Tara Cuffee - Viola

Kaleb Cabell - Cello

Robert Chittams - Bass

Alissa Gittens - Flute/Piccolo

Ronnal Ford - Saxophone/Flute

Xavier Hendon - Trumpet

Robert McIver - Trumpet

Tim Johnson - Trombone

Ashlei Peoples - Keyboards

Copyright 2026 NPR

Juana Summers is a political correspondent for NPR covering race, justice and politics. She has covered politics since 2010 for publications including Politico, CNN and The Associated Press. She got her start in public radio at KBIA in Columbia, Mo., and also previously covered Congress for NPR.
Ashley Brown is a senior editor for All Things Considered.
Brianna Scott is currently a producer at the Consider This podcast.
Related Stories