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Jeff Lunden

New York Gov. Andrew Cuomo upstaged the Broadway League on Monday. Industry insiders expected the trade organization, which represents theater owners and producers, to say that some Broadway shows would reopen in September with more coming back during the fall. But at a press conference Cuomo beat them to it, lifting most capacity restrictions on restaurants, bars, museums, gyms, salons and retail shops by May 19. That list also included Broadway.

Indoor theater has been shuttered in New York City for more than a year, due to safety concerns associated with the Covid-19 pandemic.

But there are indications of slow movement on this front.

Friday is opening night for Blindness at the off-Broadway Daryl Roth Theatre. At a recent preview, there was a short line outside the theater, where invited patrons waited to see the show — a piece based on a novel by José Saramago.

Just before The Akron School for the Arts went remote due to the coronavirus in spring 2020, the cast of A Chorus Line made a video of the show's big ballad, "What I Did for Love," just in case t

Every year, as a set-up for the Tony Awards, we take you backstage to meet people who aren't even eligible. These are Broadway's essential workers – ushers, stage managers, costumers. But this year, the Tonys seem like a faraway dream; even though nominations for the shortened season were announced in October, no date has been set. So, I decided to check in with some of those essential workers I've interviewed before, to find out how they've been coping since theaters closed.

Updated at 9:46 p.m. ET

A union representing 800 backstage workers at New York's Metropolitan Opera began a publicity campaign today urging donors and government entities to withdraw support for the company because of a labor dispute.

In 2012, when he was already well into his 80s, Christopher Plummer told NPR that he was busier than he had been in a long time – and that was OK with him. "You never stop learning how to act, both on screen and on the stage," he said. "I feel like I'm starting all over again. Every sort of decade I feel this, and that's very satisfying."

The Oscar, Emmy and Tony Award-winning actor died Friday at his home in Connecticut. He was 91.

On Jan. 25, 1996, a new rock musical by a little-known writer, Jonathan Larson, gave its first performance. Friends and family filed into a small off-Broadway theater to see Rent. The show was a retelling of La Boheme, set on the Lower East Side of New York, as people were dying of AIDS. It became an international phenomenon, winning the Pulitzer Prize and Tony Award, among others, but the performance almost didn't happen. Early that morning, Larson died of an aortic aneurysm. I spoke with some of the people who were there that night.

With his trademark suspenders and deep baritone voice Larry King spoke with presidents, world leaders, celebrities, authors, scientists, comedians, athletes — everyone. The Peabody Award-winning broadcaster died Saturday at Cedars-Sinai Medical Center in Los Angeles. He was 87.

The death of the famed interviewer was announced on King's Twitter feed in a posting from his production studio, Ora Media. No cause of death was provided, but King had recently been hospitalized with COVID-19.

Broadway star Rebecca Luker has died of complications from ALS. She and her husband also had COVID-19 earlier this year.

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Tony-winning legend and dance icon Ann Reinking died on Saturday, family members confirmed to news outlets on Monday. She was 71.

"The world and our family have lost a vibrant, amazing talent and beautiful soul. Ann was the heart of our family and the life of the party," her family said in a statement, as reported by Variety.

Normally, family audiences would be flocking to see A Christmas Carol at Chicago's Goodman Theatre at this time of year. But as we all know, 2020 is anything but normal, especially when it comes to holiday traditions.

The Goodman has been putting on the Dickens work for 40 years. Boston's Handel and Haydn Society has presented the Messiah during the holiday season since 1854. And then, of course, there's The Nutcracker, a staple for ballet companies.

A slender, dark-haired young man walks along the windblown Scottish coast, picking up stones and discovering the ruins of a cottage. The young man is mentalist Scott Silven, and you are about to go on a journey with him.

Silven has toured the world delighting audiences with seemingly impossible illusions. But with the pandemic confining him to his home in Scotland, he hatched a new interactive online show, commissioned by nine arts centers around the world.

Even this spring, when New York City was at the center of the coronavirus pandemic in the U.S, the city's public parks never closed. Instead, they became a place where people went for a socially distanced refuge, often escaping into music with their headphones. Ellen Reid has taken that experience one step further: The Pulitzer Prize-winning composer has written new music for a GPS-enabled app called Soundwalk, specifically designed to accompany walks around Central Park.

Imagine The Office, but in St. Petersburg, Russia. And instead of Dunder Mifflin, it's the Russian government's Internet Research Agency. A new online play called Russian Troll Farm: A Workplace Comedy, co-produced by TheaterWorks Hartford, TheaterSquared in Fayetteville, Ark., in association with The Civilians, does just that.

Earlier this spring, when New York went on COVID-19 lockdown, Ballet Hispánico artistic director Eduardo Vilaro was ready to adapt quickly. "I went into my immigrant mode," Vilaro says. "How do you survive? What do we have to do?"

The company introduced a whole host of online programming called #BUnidos – Be United — Latino Pride Mondays, Salsa Tuesdays, Wepa Wednesdays, Tiki-Tiki Thursdays, and of course, Fiesta Fridays.

Oskar Eustis, artistic director of The Public Theater in New York, knows firsthand about the coronavirus. Eustis was hospitalized with COVID on March 10, and by the time he was released five days later, everything was shut down. "I came out into a world that had no theater, and it's a different world," he says.

Playbill, the program magazine given out at theaters, has been around for 136 years. It's not just a program, it's a cherished souvenir. "It has become kind of the best memento of your night out at the theater," says Alex Birsh, the company's vice president.

But with theaters on Broadway and across the country shut down since March because of the coronavirus pandemic, Playbill is just one of the many companies servicing the performing arts that has had to adapt.

The tombstone on Isaac Stern's grave reads simply "Isaac Stern, Fiddler," but the violinist was much more than that: He was an educator who mentored generations of musicians, including Yo-Yo Ma and Itzhak Perlman, and he was an activist who helped save Carnegie Hall from the wrecker's ball.

Here's a surprising statistic: According to a survey by Chorus America, one in six Americans, or 54 million people, sing in choral groups, whether that's community, school and children's choirs, religious groups or professional ensembles. But since stay-at-home orders have been issued across many states, choral music here and around the world has completely stopped.

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Tall and lanky, Nick Cordero played a variety of tough guys on Broadway – a 1920s gangster in Bullets Over Broadway, an abusive husband in Waitress, and a mobster who takes a young boy under his wing in the musical version of Chazz Palmantieri's A Bronx Tale. He died on Sunday at the age of 41, his wife, Amanda Kloots, announced on Instagram.

Broadway shows will remain closed until at least Jan. 3, 2021 according to an announcement from the Broadway League, an organization representing theater producers and owners, which said that ticket holders will be able to get refunds or exchanges for a future date.

As theaters across the world have closed because of the coronavirus pandemic, they've scrambled to find ways get work to the public.

Some have made archival video of productions available, some have created Zoom plays and some have returned to an old art form — radio drama — but with a digital twist.

In the 1930s, with many people out of work, families huddled around radio receivers to listen to audio plays, like Orson Welles' famous broadcast, War of the Worlds.

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