Nate Chinen
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On their debut album, the improvisational supergroup — singer Arooj Aftab, pianist Vijay Iyer and bassist Shahzad Ismaily — try to answer a musical riddle: What does listening sound like? -
Ndegeocello doesn't conform to anybody else's idea of the celestial plane. When she sings of supernovas, she sounds like a witness.
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Rooted in the lineage of Black music, Younger interprets a tune by Dorothy Ashby, a pioneer of genre-bending harp.
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Don't be shocked by the 23-year-old jazz singer's breakneck rise from precocious college student to best new artist Grammy nominee. In those few years, she's been building three careers at once.
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At this year's awards on Sunday night, Beyoncé could become the artist with the most Grammys ever. She could also go down in history as the most snubbed.
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Jazz artist Jason Moran revisits the deep influence of Black composer and bandleader James Reese Europe, best known for serving with the Harlem Hellfighters in World War I.
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After a year defined by emergence and creative combination, our critics zoom in on their own listening to choose one inescapable album and song each.
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WRTI editorial director Nate Chinen returned to live music with fervor this year — and one artist in particular, the young saxophonist Immanuel Wilkins, emerged as a constant presence.
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Nate Chinen, editorial director for WRTI, shares some of his favorite music of the year.
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Musician Ahmad Jamal has been a major jazz figure since the 1950s. Emerald City Nights: Live at the Penthouse is a set of never-before-released recordings of Jamal in his prime.
