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Tony Rice could seemingly do it all: sing, compose, play spot-on rhythm. But it was his guitar solos that just astounded audiences and fellow musicians alike. He was idolized by bluegrass and acoustic music fans in large part because he was determined never to let them down.

Rice died on Christmas morning at the age of 69. His death was first announced by the International Bluegrass Music Association.

Andres Segovia popularized the classical guitar. Julian Bream took it to the next level.

Everybody knows the name Fleetwood Mac — but few may know that the band's fame was built on the talents of a man who left the group after its third album and fell off the face of the Earth.

Updated at 10:07 p.m. EDT

On Tuesday afternoon, at 5:07 p.m., Metropolitan Opera general manager Peter Gelb sent an email to staff that began this way:

"Dear Members of the Company,

Plácido Domingo has agreed to withdraw from all future performances at the Met, with immediate effect. We are grateful to him for recognizing that he needed to step down."

For the past year, NPR has been taking a deep look at American anthems and all the forms they can take. These are the songs that unite us, inspire us or say something about what it means to be an American — songs as traditional as Woody Guthrie's "This Land is Your Land," or as defiant as Public Enemy's "Fight the Power."

The City of Chicago on Thursday filed a civil complaint against actor Jussie Smollett trying to recoup the cost of his complaint to police that he'd been the subject of a racist and homophobic attack.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.

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As 2018 comes to a close, we're going to take a moment to remember some of the musicians we lost this year. Here is our annual musical montage.

(SOUNDBITE OF SONG, "RESPECT")

Updated at 2:50 p.m. ET Friday

Classical guitarist John Williams reached millions of ears and even hit the charts when he played the main theme to the Oscar-winning 1978 film The Deer Hunter. But by then, Williams was already a classical star on a major record label who'd toured the world many times over.

He released his latest album, On The Wing, earlier this year. And although he announced a retirement from touring a few years ago, he's now 76 and still plays every day.

"But I love doing it so it's not a problem," he says.

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(SOUNDBITE OF JOHN ABERCROMBIE'S "BACKWARD GLANCE")

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Mention Austria and music in the same phrase and some people will think Haydn and Mozart. Others will think of The Sound of Music, with its singing Von Trapp family. In recent years, another musician has been added to this list: Wolfgang Muthspiel, one of the most respected jazz guitarists playing today.

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Thirty years ago this week, an unknown filmmaker walked into a club in Washington, D.C., with a videotape in his hand. It was one of those nights when anyone could screen their work ... but this was the first public screening of a short documentary that's gone on to become the very definition of a cult classic.

Derek Gripper was a musician with a problem. He'd been playing classical music since he was 6 years old — violin, then piano and finally guitar. He was poised for an international career as a classical guitarist. But he remembers going to the homeland of one of his favorite composers, Johann Sebastian Bach.

"It felt kind of strange," he says. "It felt strange to be in Germany playing Bach to them."

Jean-Baptiste "Toots" Thielemans, the Belgian-American musician who cut a singular path as a jazz harmonica player, died in his sleep Monday in his hometown of Brussels. He was 94.

Musician and composer Frank Zappa was a lot of things: biting satirist, ferocious critic of societal norms, outspoken defender of free speech. He saw himself as not only an entertainer, but also a serious composer. And he saw no contradiction in being all of these things at once, to the consternation and confusion of the many journalists who interviewed him.

Charlie Hunter, it seems, has always loved a good groove — from his early days in the San Francisco Bay area playing with the Disposable Heroes of Hiphoprisy to his work with his own trio (check out "Funky Niblets") and with T.J.

Watching a Terence Davies film is like watching paintings come to life. On the other hand, the filmmaker jokes, "The people who don't like my films say it's about as interesting as paint drying."

Still, Davies (pronounced "Davis") has plenty of defenders. More than one critic has called him Britain's greatest living film director, and French filmmaker Jean-Luc Godard — who was famously not a fan of British moviemakers — called Davies' 1988 full-length feature breakout, Distant Voices, Still Lives, "magnificent".

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We're going to travel up the California coast now to remember one of the architects of the San Francisco Sound of the '60s.

(SOUNDBITE OF SONG, "SOMEBODY TO LOVE")

Jazz guitarist John Scofield has had a pretty remarkable career. Without even finishing music school, he found himself on the Carnegie Hall stage playing with jazz legends Chet Baker and Gerry Mulligan. Then it was on to Miles Davis, his own successful jazz-funk fusion groups, and even greater exposure playing with jam bands.

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