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Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

At 76, Paul Simon has been writing music for more than 60 years. And all that's about to come to an end.

They're vulnerable and fearless, filled with love but in pain, thoughtful but prone to cathartic outbursts. IDLES is the best 21st century punk-ish band I've heard. Where most outlandish bands spit out lyrics as one-line headlines, IDLES are tellers of truthful tales.

I love everything about Ohmme's debut album, Parts. Here we have two classically trained pianists, picking up electric guitars and diving into uncharted musical waters.

Today, The Band's Robbie Robertson is going to take us back 50 years, to a basement just outside of Woodstock, New York and the formation of a sound and an album that all these years later still shapes the musical landscape.

We recently put out a call asking listeners to share their thoughts about the songs on Courtney Barnett's latest album, Tell Me How You Really Feel, and other tracks from her rich lyrical catalog. On this week's show, we share some of those listener stories and thoughts, and Courtney talks about what inspires her, the creative process and how her music can be interpreted.

Listen to the full interview with the play button at the top of the page and read edited highlights below.

I'm thrilled to have two new songs from one of our greatest living guitarists and songwriters, Richard Thompson. His just-announced 19th solo album, 13 Rivers, still finds him brimming with bursts of guitar magic and storytelling. It's a trademark sound that has been incredibly influential since the days when he electrified British folk music in the 1960s as part of Fairport Convention and, later, some of the most brilliant records of the 1970s with his wife at the time Linda Thompson.

Our 2018 Tiny Desk Contest tour has come to an end. Over the last two months, we've hosted concerts in eight cities featuring 21 bands who entered the Tiny Desk Contest — plus our winner, the brilliant guitarist and singer Naia Izumi.

Death Cab For Cutie is back with some pretty great new music. The band has just announced that a new album is on the way called Thank You for Today. And in this special episode of All Songs Considered, singer Ben Gibbard shares and talks about the first single, "Gold Rush."

This is an unusual, beautiful and dark album curated by — and at times performed by — the Danish musician Agnes Obel. It's part of a series of artist-curated albums called Late Night Tales. Nils Frahm, The Flaming Lips, Jon Hopkins and others have put their own records together for the series in the past.

Parquet Courts' fifth album, Wide Awake! is a turning point for the band. The four guys based in New York made conscious attempts to push their music out of their habitual tendencies toward aggressive rock and wound up with their most interesting record to date, with the help of producer Brian Burton (Danger Mouse).

I remember feeling absolutely free. I recall the sensation of joy.

I first saw Glenn Branca at the 9:30 Club in Washington, D.C. in 1982. I came away from that concert wondering how it was that I, having spent so much of my life listening to music, had simply never thought about music simply as noise, perhaps somewhat organized, to varying degrees, but noise nonetheless. Branca, who died this past Sunday, gave me what may have been the loudest noise I'd ever heard that night, give or take a jackhammer or a jet engine, familiar sounds from growing up in Queens, N.Y.

"These times are poignant / The winds have shifted / It's all we can do / To stay uplifted."

Those words are sung so powerfully by Rising Appalachia, the musical project of sisters Leah Song and Chloe Smith. This uplifting, original folk song for these challenging times is called "Resilient."

"I think this is one of my vaguest songs," Mitski says in this conversation about her new song, "Geyser." "Usually my songs have a narrative of some sort. But this song is all feeling."

From the sounds of blues guitarist and singer Lead Belly to recordings of Southwestern Woodhouse Toads, Smithsonian Folkways has been capturing the sounds of global history for the past 70 years. These recordings are among 60,000 treasured tracks the label has in its library — and it promises they'll never go out of print — from the labor songs of Woody Guthrie and children's songs of Ella Jenkins to New Orleans hot jazz, songs of the civil rights movement, the Honk Horn music of Ghana and so much more.

Ten years ago today — on April 22, 2008 — NPR Music published our first Tiny Desk concert. Laura Gibson was the inspiration, and the event that sparked the idea of concerts at my desk came from NPR Music's Stephen Thompson. He and I were at the SXSW Music Festival, at one of those lousy shows where the audience chatter was louder than the performer.

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